Miscellanies · §37

Mannos, Bardesanes, and Syrmos: the trial at Abgar’s

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Syrmos the Scythian used this trial, and Bardesanes the Parthian, and perhaps even more somewhere. I saw it myself, in the house of Abgar the king, Mannos his son having often tried it, I directing. He was so terrible an archer that once, a hunt being around midday — I happened to be riding by, not as some hunter but as a spectator of the hunt — a woodland bear leaps out from some thicket, fearful to approach, terrible to see, perhaps even impossible to hit. All were startled and seeking the roads of flight. Mannos, exhorting us to take courage, dissolved all the fear by throwing two missiles: having shot the eyes of the bear, he made her easy to handle, not even seeing the hunters.

Bardesanes was a wise archer if anyone else was. I know a man who shot as a painter does. The manner was this. He once stood a man opposite, a youth beautiful and stout, whom even a painter would have tired imitating. The youth was holding forth the shield: Bardesanes ordered this, showing the art to us spectators. He, like a good painter, transferred the man holding it onto the shield. First he was drawing the head with upright missiles, imitating a circle of a head; then the casts of the eyes, the fittings of the lips, the rhythm of the chin; and the rest of the man followed the order of the body. He was priding himself, having taken painting together with archery: drawing with missiles and shooting drawings. We wondered, seeing that the shooting was not a warlike practice, but was something delightful too, and danger a pleasure. The youth, having laid down the shield, saw himself drawn upon his own weapon and was rejoicing, having become a soldierly painting. This, then, I have, having wondered.

What would I say of Syrmos? Syrmos too was a wise archer, not having painted with missiles as Bardesanes, but having devised to make a missile a hostile missile. New is the spectacle, but not unbelievable. I saw a missile under a missile. I saw a missile, and a missile being made ready, I was ready to throw. Someone else, a counter-archer, had stood against him from afar. Different was the contest of the archery: the one was contending with an armed missile, the other with a naked one. The mark for each was to join missile with missile. The one was meeting only, like a naked soldier against an armed enemy, and it was bold; the other, inasmuch as it had not been stripped, stuck into the one that met it and was drawing it, hung, as a hostile captive. The stripped one, having been taken, was no longer a missile, but the spoil of a missile.

Cestus 7 of Julius Africanus.

Greek

Ἐχρήσατο τῇ πείρᾳ ταύτῃ καὶ Σύρμος ὁ Σκύθης καὶ Βαρδησάνης ὁ Πάρθος, τάχα δέ που καὶ πλείονες. Εἶδον καὶ αὐτός, ἐν Ἀβγάρου τοῦ βασιλέως, Μάννου τοῦ παιδὸς αὐτοῦ πολλάκις πειράσαντος, ἐμοῦ ὑφηγησαμένου. Τοξότης οὕτω δεινὸς ἦν ὥστε, θήρας ποτε ἡμῖν οὔσης ἀμφὶ μεσημβρίαν (ἐτύγχανον δὲ καὶ αὐτὸς παριππεύων οὐ κυνηγέτης τις ὤν, ἀλλὰ τῆς θήρας θεατής), ἐκπηδᾷ μὲν ἔκ τινος λόχμης ἄρκτος ὑλαία, φοβερὰ προσελθεῖν, δεινή τις ἰδεῖν, ἀδύνατος τάχα καὶ βαλεῖν· ἐπτοημένων δὲ πάντων <καὶ ζητούντων> τῆς φυγῆς τὰς ὁδούς, ὁ Μάννος παρακελευσάμενος ἡμῖν θαρρεῖν, πάντα τὸν φόβον διέλυσεν δύο βέλη βαλών· τοὺς γὰρ ὀφθαλμοὺς κατατοξεύσας τῆς ἄρκτου, εὐχείρωτον ἐποίησεν αὐτήν, μηδὲ βλέπουσαν τοὺς κυνηγέτας. Ἦν δὲ ἄρα σοφὸς τοξότης Βαρδησάνης εἴπερ τις ἕτερος, οἶδά τ' ἄνθρωπον τοξεύσαντα οἷα ζωγράφον· ὁ δὲ τρόπος τοιόσδε· ἄνδρα κατάντικρύ ποτε ἔστησεν, νεανίαν καλὸν καὶ εὔρωστον ὃν καὶ γραφεὺς ἂν ἐξέκαμε μιμούμενος· προὐβάλλετο δὲ τὴν ἀσπίδα ὁ νεανίας, τοῦτο γὰρ προσέταξεν ὁ Βαρδησάνης ἐνδεικνύμενος τὴν τέχνην ἡμῖν θεαταῖς. Ὃ δέ, οἷα ζωγράφος ἀγαθός, τὸν κατέχοντα μετέθηκεν ἐπὶ τὴν ἀσπίδα· πρώτην μὲν δὴ τὴν κεφαλὴν ἔγραφεν ὀρθοῖς βέλεσι κύκλον κεφαλῆς μιμούμενος, εἶτα τῶν ὀφθαλμῶν τὰς βολάς, χειλέων ἁρμονίας, ῥυθμὸν γενείων, καὶ ὁ λοιπὸς ἄνθρωπος ἠκολούθει τῇ τάξει τοῦ σώματος. Ὃ δ' ἐσεμνύνετο τοξικῇ γραφικὴν συλλαβών, καὶ γράφων τοξεύμασι καὶ τοξεύων γραφάς. Ἐθαυμάζομεν δ' ὁρῶντες ὡς οὐ πολεμικὸν ἐπιτήδευμα τὸ τόξευμα ἦν, ἀλλ' ἦν τι καὶ τερπνόν, καὶ κίνδυνος ἡδονή. Ὃ δὲ καταθέμενος τὴν ἀσπίδα εἶδεν αὑτὸν ἐπὶ τοῦ οἰκείου ὅπλου γεγραμμένον καὶ ἔχαιρεν γενόμενος στρατιωτικὸν ζωγράφημα· τοῦτο μὲν οὖν ἔχω θαυμάσας. Σύρμον δὲ τί ἂν λέγοιμι; Σοφὸς καὶ ὁ Σύρμος τοξότης, οὐ ζωγραφήσας βέλεσιν ὥσπερ Βαρδησάνης, μηχανησάμενος δὲ πολέμιον βέλει ποιῆσαι βέλος. Καινὸν τὸ θέαμα, ἀλλ' οὐκ ἄπιστον. Εἶδον ἐγὼ βέλος ὑπὸ βέλος. Καινὸν τὸ θέαμα, ἀλλ' οὐκ ἄπιστον. Εἶδον ἐγὼ βέλος καὶ βέλος εὐτρεπιζόμενος ἕτοιμος <ἦν> βαλεῖν· ἀνθειστήκει δὲ αὐτῷ τις ἄποθεν ἄλλος ἀντιτοξότης· διάφορος δὲ ὁ τῆς τοξείας ἀγών· ὃ μὲν γὰρ βέλει ὡπλισμένῳ ἠγωνίζετο, ὃ δὲ γυμνῷ. Καὶ τοίνυν ὁ σκοπὸς ἦν ἑκατέρῳ βέλει βέλος συμβάλλειν, ἀλλὰ τὸ μὲν ἀπήντα μόνον ὥσπερ στρατιώτης γυμνὸς ὡπλισμένῳ πολεμίῳ, καὶ τολμηρὸν ἦν, <τὸ δὲ> ἅτε μὴ γεγυμνωμένον ἐπήγνυτο τῷ ἀπαντήσαντι καὶ εἷλκεν ἐξηρτημένον ὥσπερ πολέμιον αἰχμάλωτον· τὸ δὲ γεγυμνωμένον εἰλημμένον οὐ βέλος τὸ λοιπόν, ἀλλὰ βέλους λάφυρον ἦν. Ἰουλίου Ἀφρικανοῦ Κεστὸς ζʹ.

About this text

Julius Africanus, Cesti (Embroidered Girdles): a miscellany of history, science, and craft, in the surviving fragments — books 7, 2, and 3 in full, with parts of books 4, 8, 9, and 13, and the colophon of Cestus 18. The older English translates his letters only. The book-2 table of contents and a book-7 appendix are not in this volume.

New English from locked PG 10 / Khazarzar Greek of the Cesti fragmenta through 9.5. Earlier lemma-led scaffold English was discarded. Book-2 pinax and book-7 appendix held. This lock is exhausted.

Catalogue & scope

Khazarzar scan

Witnesses

  • Copy-text PG 10 Cesti fragmenta (Khazarzar) (Greek)

This is an AI-assisted study translation. Source fidelity and completeness have not been independently certified. Open Greek on each section for the source text. This is not a complete critical edition.